Love   Installation, natural ink on silk, 2025,144 × 160mm (detail)
l
Love
Installation, natural ink on silk,2025
  160x144cm
16 Pieces
Installation, 2025
Natural dye, beetroot juice on silk, hand stitching with silk thresd
60 × 60 cm
detail

Half Seen (front)
Installation, 2025
Natural day textile, old silk underdress, natural ink, beet juice
90x45cm
Half Seen  (back)
Installation, 2025
Natural day textile, old silk underdress, natural ink, beet juice
90x45cm


30x30 each
 detail
E Tangles
Installation e-waste,2024,180x180
Flower 3
Oil painting on canvas, 2014
60 × 60 cm

Flower 6
Oil painting on canvas, 2015
180 × 180 cm

Flower 2
Oil painting on canvas, 2015
180 × 180 cm
Silent Light 1
Natural color, Chinese Xuan paper, 2017
45 ×45 cm
Silent Light  2
Natural color, Chinese Xuan paper, 2016
45 ×45 cm
Silent Light 3
Natural color, Chinese Xuan paper, 2016
45 ×45 cm
Silent Light 4
Natural color, Chinese Xuan paper, 2016
45 ×45 cm
Silent Light 6
Natural color, Chinese Xuan paper, 2016
45 ×45 cm
Silent Light 11
Natural color, Chinese Xuan paper, 2018
60 ×84 cm
Flower 1
Oil painting on canvas, 2014
60 × 60 cm
Flower 4
Oil painting on canvas, 2014
60 × 60 cm
Suzhou Garden 2
Oil painting on canvas, 2014
60 × 60 cm
My  Mountain
Oil painting on canvas, 2014
360 × 180 cm
Silent Light 8
Natural color, Chinese Xuan paper, 2016
45 ×45 cm
Feeling 1
Digital painting (iPad), 2017
Feeling 9
Digital painting (iPad), 2020
Feeling 3
Digital painting (iPad), 2017
Feeling 5
Digital painting (iPad), 2017
Watercolor, 2010, 42x60cm
Watercolor, 2010, 42x60cm
Watercolor, 2011, 60x42cm
Watercolor, 2017, 22x16cm
Watercolo, 2023. 15x23cm.
                                              The Past Never Finished: Unfolding the fabric of London, Moving image, 2025

Wenjie Feng

 (she/her)


@wenjiefeng_


Wenjie Feng (b. Kunming) is a Chinese American multimedia artist based in London, currently studying Contemporary Art Practice MA at the Royal College of Art.

Growing up among the mountains and rivers of Yunnan shaped her sensitivity to materials and water. Her recent practice centres on natural dyeing on silk, alongside textiles, moving image, performance, and installation. Working with handmade pigments derived from plants, tea, charcoal, vegetables, and other natural materials, she embraces collaboration rather than control, allowing time, water, light, and natural processes to shape each work.

Through this sustained practice, she explores time, space, presence, mystery, love and loss, and the relationships between humans and the natural world. Daily acts of making have become a ritual of attention, trust, and presence, reconnecting her with nature while embracing uncertainty, imperfection, impermanence, and transformation.

Influenced by Buddhist philosophy, Zen, and the contemplative discipline of the tea ceremony, Feng creates contemplative spaces through colour, translucency, and the quiet power of empty space, where words fall away and a quiet spiritual connection can emerge.





Education

2025–Present
Master of Arts (MA) in Contemporary Art Practice 
Royal College of Art, London, UK

2024-2025
Graduate Diploma (GD) in fine art
Royal College of Art, London, UK

1993–1994
Non-Degree Advanced Training in Fashion 
Academy of Art &Design, Tsinghua University, Beijing, China

1985–1989
Bachelor of Arts in Fine Arts
Southwest University School of Fine Art, Chongqing, China